The legendary metal singer delivers a blistering performance of stalwart metal/ prog rock classic, “Operation: Mindcrime” in its entirety.
The last time I saw Geoff Tate perform was in 1995 when his former band (or as I like to call them, the band who shall not be named) was on a headlining tour with Type O Negative as the opening act. It was at the Cleveland Convocation Center, on Prospect Avenue. Of course, now, it has a very corporate name, The Wolstein Center, in honor of a Cleveland based real estate developer.
But I digress.
The two things I remember most about the evening was that, one, Type O Negative was loud, so painfully loud, that I can still recall some fans grimacing in pain (or pleasure) especially when their breakout song “Christian Woman” whipped the audience into a frenzy.
The second thing that I remember most was the voice of Geoff Tate: it was lyrical, operatic, and just down right mesmerizing. I usually preferred the melodic braggadocio of Paul Stanley, and the off kilter growl of David Lee Roth. However, this Geoff Tate was quite the unique fellow. Oh, I also met Geoff backstage thanks to my media connections, and was totally starstruck and couldn’t think of anything interesting to say. I still feel really stupid about that.
Anyhow, 31 years later, as I waited for him to take the stage at the Virgin Hotel, I texted a friend who is a total Tate fanatic, I wrote to her, in all caps, “HE BETTER BE GOOD.”
She responded quickly with an emphatic “He’s FANTASTIC, even after all these years.”
And you know what? She was right.
Time can sometimes be very cruel to a singer. Flat notes, pitchy, raspy – many hard rock singers have seen their voices deteriorate as the years progressed…but fortunately, this hasn’t affected Geoff Tate.
Taking the stage before a capacity crowd at The Theater at the Virgin Hotel, Tate let everyone know with the first note of “I Remember Now” that he was in command. The song kicks off the landmark prog rock/metal album “Operation:Mindcrime” created by Tate and others in the band who shall not be named, which was released in 1988. “Operation: Mindcrime” was a concept album, and a great one at that – none of that “Music from The Elder” garbage. It resembled an aural version of the classic 1962 film “The Manchurian Candidate” with the topics of drugs, brainwashing, politics and violence.
Throughout the performance Tate effortlessly switched between the characters of “Operation:Mindcrime,” the protagonist, Nikki, and his evil mentor, Dr. X. He does this via his voice and physicality. In a song such as “I Remember Now,” or “Revolution Calling” Tate’s voice swoops and dips, one minute tender, one minute full of ego, all to reflect the record and its deep characterizations. Or, stomping around the stage, arms above the head in a theatrical flourish to convey the arrogance, demagoguery and villainry of Dr. X. in “Speak” and “Spreading the Disease.”
It must be mentioned that Tate has an excellent band. Anchored by a three-guitar attack (not including the bassist), the musicians are extremely talented and played with feeling. Sometimes, musicians playing another musician’s compositions can be tricky and underwhelming (e.g. Tommy Thayer playing Ace Frehley’s licks).
Tate’s two-hour “Operation:Mindcrime” event was something fans should cherish, as he has said that this tour will be the final time he sings the material, because doing so has become mentally, physically and spiritually draining.
If Tate is really saying goodbye to his maximum opus, the fans who saw this tour should consider themselves very lucky because singers like him are now few and far between.
“Operation:Mindcrime” will be a testament to Geoff Tate’s talents as a singer, songwriter and performer.
PHOTO CREDIT: Live photos by Courtney Ware for ZRockR Magazine – @2026 – All Rights Reserved.
