• Sun. May 26th, 2024
This was the third Classic Album Night at Vamp'd, featuring Reservoir Dogs with special guests.
This was the third Classic Album Night at Vamp’d, featuring Reservoir Dogs with special guests.



If you’ve been paying attention to the recent Classic Album Night concept put together by Kaye Caruso’s project, Reservoir Dogs, then you probably, like me, were very much looking forward to June 4th. On this particular night, British Steel, the revered sixth studio platter by the Metal Gods from Birmingham, England, Judas Priest, was performed front to back in its entirety. This was their first LP which consisted entirely of songs written by only current members of the band, and zero covers. It also introduced their classic lineup which remained intact for a decade. Furthermore, it set the tone for no-nonsense straight up metal: the standard of the genre. Heavy, yet accessible, this platter from Judas Priest featured two instantly recognizable anthems which to this day receive extensive airplay.


British Steel is arguably the most famous album in Judas Priest's lengthy, 40+ year discography, first released in 1980.
British Steel is arguably the most famous album in Judas Priest’s lengthy, 40+ year discography, first released in 1980. It was a fitting choice for Classic Album Night!


Waiting for the post-Whitesnake concert crowd to filter in, the Classic Album Night festivities at Count’s Vamp’d commenced around 10:45. Cleverly choosing to play the album in the original UK release running order, “Rapid Fire” started the night off, with a razor sharp vocal delivery by Dru Jaxin and solid backbeat of Yasuaki Taniguchi. The same lineup, which also included Morpheus Blak and Johnny Roxx on guitars, and Jimmy Repp on bass, delivered “Metal Gods,” although they left Dru out, while Jimmy also sang lead. A teenage Natalie Robertson played guitar on the aforementioned anthems “Breaking the Law” and “Living After Midnight.” The immensely talented Sean Koos (formerly of Joan Jett and the Blackhearts, currently of The Bones) was featured on bass on “United” as well as “You Don’t Have to Be Old to Be Wise,” while charismatic Drew Hart excelled on lead vocals as always on “Living After Midnight.” As with the preceding Classic Album Night shows, numerous musicians filtered in and out to perform the songs of the night; including Barry Barnes, Stoney Curtis, Kaye Caruso, Duane Forkner, and several others who I didn’t see at the Aerosmith Rocks night. Jeff Duncan, stellar six-stringer for Armored Saint, DC4 and The Bones, delivered the goods on “Grinder” and the following two tracks, while Smashing Alice’s Paul Cunningham held down the bottom end nicely for closing number, “Steeler”.


In addition to the British Steel songs, the group also played a variety of other Priest classics.
In addition to the British Steel songs, the group also played a variety of other Priest classics.


After a brief intermission, the advertised “Priestjam” followed, which included no less than FOURTEEN songs culled from Judas Priest’s sophomore LP up until Painkiller, their first to feature drummer extraordinaire, Scott Travis. The only albums not represented from that time period were Stained Class and Ram It Down. Overall, just like during the first two Classic Album Nights, the musicianship, instrument tones, and spirit of the band being celebrated were superb, including frontmen Danny Wilde AND Drew Hart both donning Halford-reminiscent garb while mimicking his stage patter as well as posturing. Highlights included Doug Ebneter’s masterful guitar wizardry, and female siren Cassie, who tore things up vocally on “Painkiller” and the latter part of “The Green Manalishi.” If there were any complaints, they were comparatively minor that mainly a musician might have noticed, such as a couple of flat vocal spots, reading lyrics here and there, and a drummer or two overplaying a tad, playing fills more reminiscent of Slipknot’s drummer rather than Dave Holland, but not enough to mar the proceedings much. Once again, everyone who took the stage brought their “A” game, as much as whatever rehearsals there were would allow. Stay tuned for Classic Album Night #4, Prince’s Purple Rain at downtown’s Backstage Bar & Billiards on Aug. 6th.


Judas Priest’s British Steel album in its entirety

“The Hellion” (Instrumental)/”Electric Eye”

“Devil’s Child”

“Screaming for Vengeance”

“Love Bites”

“Freewheel Burning”

“Hell Bent for Leather”

“Heading Out to the Highway”

“Turbo Lover”

“The Ripper”

“Diamonds & Rust”

“Victim of Changes”


“The Green Manalishi (With the Two-Pronged Crown)”

“You’ve Got Another Thing Comin'”



By Zenon Skyy

Born in Detroit Rock City, Zenon Skyy started several hard rock bands, one of which had 2 songs of theirs receive airplay on a prominent local FM station. Feeling he needed to leave his birthplace behind to accomplish more, Zenon opted to move to the City of Angels the second week (on Elvis' birthday, no less) of 1990 to further his musical endeavors and kick it up a few notches, his last band in L.A. of 3 total even recorded a pro demo with the likes of Ron Keel at the producer's helm, since he was so impressed with the material. Once the writing was on the wall as far as the musical climate changing, he chose to broaden his musical horizons by attending GIT at Hollywood's esteemed Musicians Institute from '94-'95. Shortly thereafter, he moved to Sin City the night the Stratosphere opened. Zenon's also been known to attend rock trivia contests and fare quite well, usually near or at the top of the heap, while humbly accepting accolades for his encyclopedic knowledge of rock/hard rock/metal especially. When he's not attending concerts, doing corporate events, private parties or officiating weddings as one of Vegas' premier Paul Stanley impersonators, he also continues to write original material (music/lyrics) as well as play lead/rhythm guitar and sing lead vocals.

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