• Sat. Oct 5th, 2024

Live in London – Skid Row’s First Live Album!

ByTaylor T Carlson

Oct 2, 2024
LIVE IN LONDON was released by Skid Row on September 20, 2024. It’s the band’s first official live album, recorded in October 2022.

What a long strange ride it’s been for Skid Row! While the band will always be remembered for their classic heyday with frontman Sebastian Bach, the group has kept going with several vocalists and sounds, in varying incarnations. With HEAT frontman Erik Gronwall, the band released their best studio album since 1991, THE GANG’S ALL HERE, loudly and proudly proclaiming the return of the Skids. Unfortunately, the band parted ways with Gronwall largely due to his medical issues, leaving them without a frontman once again…

…and then, the band made a strange but appealing announcement. Despite splitting with Gronwall, they’d be releasing a live album that was recorded with him at the helm! Losing Gronwall was definitely not an appealing situation, especially not to this fan who loved the guy, but to be able to actually get a live chronicle of his time with the band would be a godsend. Even former vocalist Johnny Solinger (RIP), who was in the band for over 15 years, didn’t get a live album!

So, how does LIVE IN LONDON fare? Despite fairly flat sounding production, the concert itself is a high-energy affair and this incarnation of the band, featuring Gronwall on vocals, Rob Hammersmith on drums, and classic members Dave “Snake” Sabo, Rachel Bolan, and Scotti Hill, fires on all cylinders. Unsurprisingly, the majority of the setlist consists of tracks from the band’s 1989 self-titled debut as well as their classic 1991 sophomore effort, SLAVE TO THE GRIND. A handful of tracks from the Gronwall-fronted album THE GANG’S ALL HERE are performed as well, which blend seamlessly with the classic Bach-era material. This lineup of the band had a great chemistry, and it’s captured beautifully on this disc. One listen truly makes you wonder what could’ve been if medical issues hadn’t kept Gronwall from staying on with the band full-time; this guy’s a powerhouse! It’s a nice assortment of cuts, though “Wasted Time” and “Sweet Little Sister” are sorely missed. Fortunately, a Ramones cover, “Psycho Therapy,” more than makes up for their absence. Mr. Gronwall drops a few too many F-bombs between songs, which gets old fast, but fortunately that’s one of very few detractors in the experience. Overall, it’s a great live release.

Fans of Skid Row should definitely add this one to their collection. I know there’s that “No Sebastian, No Skid Row” crowd out there, but I truly think even the most jaded of Bas loyalists will like what they hear here; Mr. Gronwall is sorely missed as frontman. Minor issues with the production and the mass of F-bombs between songs aside, I can still strongly recommend this one.

By Taylor T Carlson

Taylor T Carlson Assistant Editor/Senior Staff Writer Taylor T. Carlson was born August 17, 1984, and has called the Vegas Valley home his entire life. A die-hard fan of classic rock and metal music, Taylor has been writing album and concert reviews since he was 16 years old, and continues to do so, having done well over 1,000 reviews. He is also a fan of video gaming and cinema, and has reviewed a number of games and films as well, old and new alike. His thorough and honest (some would say brutally honest) reviewing style has won him the respect of hundreds of music fans and musicians alike, both local and abroad, and the ire of just as many others. Despite being one of the youngest attendees at classic hard rock/metal shows around Vegas, he is also one of the most knowledgeable, having gained the unofficial nickname of “The Eddie Trunk of Las Vegas.” In addition to reviews, Taylor has written and self-published three books on classic hard rock bands, and is a regular participant in rock and roll trivia contests. Taylor also holds a masters degree in special education from the University of Nevada Las Vegas (UNLV), and has appeared on the hit History Channel television series Pawn Stars. His dream is to be able to one day make a living from writing music books and reviews.

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