• Wed. Jun 12th, 2024

ROCK CANDY RECORDS ANNOUNCES THE LAUNCH OF U.S. OPERATION WITH 4 NEWLY AVAILABLE COMPACT DISC TITLES SET FOR RELEASE NOVEMBER 18, 2016

BySylvia Lee

Nov 14, 2016
rock-candy-logo
The times they are a-changing, but luckily there remains one constant: great music will live forever and in the catalogue and reissue world that has never been more relevant.
In the land of rock, that’s hard rock, heavy rock, classic rock or, call it what you will rock, no label has won more acclaim and earned respect than Rock Candy Records. Owned and founded by former music journalist and A&R man Derek Oliver, Rock Candy has focused on breathing life into records that deserve a place in the pantheon of rock history.
Operating out of London, England for the last eight years, the label specialises in revisiting some of the most important and significant records from the 70’s, 80’s and 90’s.
From Ted Nugent to Rick Springfield, by way of Quiet Riot, Dokken, Billy Squier, Toto, Ratt, R.E.O. Speedwagon, L.A. Guns, Ace Frehley, Hanoi Rocks, and Kansas, the label has re-activated some of the greatest records of the last forty years, buffing them up, and re-positioning them as 24 Karat diamonds. To date, Rock Candy has re-released over 300 titles in Europe.
Rock Candy has made a concerted effort to dig deep and unearth a string of lesser known acts and records ripe for reappraisal, albums that have always been hot on the collectors market but overlooked at the time of release or just slipped below the surface through no fault of their own. Records by Montrose (the band who wrote the track that inspired the company’s name), Hughes/Thrall, The Godz, Blue Murder, Smashed Gladys, Girl and Blackfoot) have all been brought back to life for a victory lap. Having conquered Europe, Rock Candy has now set up shop in North America, happily partnering with industry powerhouse RED Distribution.
It’s a match made in rock n’ roll heaven and one that will shortly see the launch of a U.S. offensive, starting with four tantalising titles on Friday, November 18th.
RED President Bob Morelli comments, “Derek Oliver’s Rock Candy imprint and RED are a perfect fit. Already a leader in unearthing the best in-demand out of print rock titles in Europe, the label joins RED like-minded music strategy in the U.S. As we outpace industry growth in vinyl Market Share, the addition of Rock Candy will help keep that trend alive and we are thrilled to have them on board.”
Keep an eye and, especially, an ear out for future offerings, but for now please raise a glass and join us for a toast to the imminent arrival of the following four solid gold classics all released on Friday, November 18th.
These forthcoming CD titles along with limited-edition select merch are available for pre-order now at the newly launched Rock Candy U.S. storefront.
Visit http://merchnow.com/catalogs/rock-candy-records now for more information.
 
NYMPHS ‘S/T’ 
The Nymphs were signed to Geffen Records in the late 80s on a wave of hope and excitement. Fronted by Inger Lorre, she soon attracted a reputation for being controversial, volatile and unapologetic.
She was unquestionably the real deal – and this record is a bonafide snapshot from the edge of Hollywood babylon during a time when music was being revolutionised in Los Angeles.
SAMMY HAGAR ‘ALL NIGHT LONG’ 
Sammy Hagar’s early studio work was often considered rather dull compared to his work with Montrose, but his1978 live album suddenly reversed that criticism.
Most live records are compromised by studio fixes but this record is pure dynamite – warts and all. Sammy’s performance is phenomenal and the energy level is through the roof.
SALTY DOG ‘EVERYDOG HAS IT’S DAY’
Formed in Los Angeles during the late 80s, Salty Dog honed their chops and assembled a line-up that was very different from what was happening on MTV.
Indeed, the band’s style incorporated a number of influences, from the old school rock of Led Zeppelin to the contemporary cut and thrust of Guns ‘N Roses.
It was a sound that paid homage to the blues; that’s the vintage gnarly influences of Muddy Waters and T-Bone Walker.
TYKETTO ‘DON’T COME EASY’ 
The early 90’s presented a massive challenge to melodic rock bands, with the musical climate being transformed by grunge, a rush of angry young men playing stripped down rock built on angst and melancholy. For Tyketto this landscape meant that their arrival would be subjected to a chilly reception. Undaunted they were signed to industry giant Geffen Records and cut this, their powerful debut album. Inexplicably, the label sat on the completed record for over a year, but by then it was already too late.
ROCK CANDY RECORDS
REMASTERED & RELOADED 

By Sylvia Lee

Editor/ Staff Writer and Co-Founder of ZRock'R Magazine. Sylvia has worked in and around music since she was 16, though it has always been a part of her life. In radio ( her last radio job was in the mid-90's at KKLZ before departing for other pursuits) , as part of various tour support/production crews, in promotion of both bands and even clubs (recipient of the Climax/Plan C Entertainment Blackberry Award in 2007 for her work as production manager of the Las Vegas MC Jin show ) and in rock journalism with a music column in the late 80′s called MusicLine in the Independent News in central Illinois. Sylvia has also has written articles and reviews for SCOPE, The Reader, Las Vegas Music Scene Magazine, Vegas SoundZ (she was PR director for LVMS where she helped push a little known and upcoming at the time Vegas photographer then known as Shane O'Neil Dobbs ( he later dropped the Dobbs), landing him his first concert shoot for a publication with Nine Inch Nails at the Thomas and Mack in '95) and she also did PR for Vegas SoundZ when they were in print). She also was a contributor to LA’s FIX Magazine. Sylvia credits her love of rock journalism and working in and around it to the person she calls the “First Lady of Rock n Roll Journalists” The legendary Jaan Uhelszki who co-founded influential music publication CREEM Magazine, but also gives a nod to the women who were also involved in the early days like Lisa Robinson and photographer Lynn Goldsmith. Sylvia's eye for talent and ear for great music have never failed her. Ever sarcastic with a love for Metal, Grunge, Punk, and Industrial Music; the occasional glass of fine wine; enjoying some classic movies (the original Universal horror films are a favorite) or binging episodes of Monty Python's Flying Circus, Good Omens or all 4 seasons of Stranger Things - she is the fearless leader of this bunch of talented lunatics.

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